QMAil: October 2005
Yes, somehow it is October already, and while a day on the beach doesn't seem doable right now, a day at a museum sounds perfect. We've got a full palette of events and family programs throughout the month, starting on October 2 with the world premiere of Ramon Rivera Moret's On Calloway Street, a documentary on a unique Queens building that has been dubbed the “meltingest pot” in New York. As part of our commemoration of the 40th anniversary of the Hart-Cellar Immigration and Naturalization Act of 1965, the screening is combined with a talk delving into the history and influence of the Act that changed the nation, transforming Queens into the wonderfully diverse locale it is today. In addition, our current exhibitions, Down the Garden Path and Odd Lots, continue through the month, and the world renowned Panorama is waiting to amaze you. See you soon.
October masthead: Gordon Matta-Clark, Islands Parked on the Hudson, 1970-71. © 2005 The Estate of Gordon Matta-Clark. Courtesy Artists Rights Society (ARS), New York.
CURRENT EXHIBITIONS
Odd Lots: Revisiting Gordon
Matta-Clark's Fake Estates
Queens Museum of Art
Through January 22, 2006
White Columns (website)
Through October 22, 2006

Odd Lots: Revisiting Gordon Matta-Clark's Fake Estates examines the legacy of Gordon Matta-Clark (1943-1978) through the history of his important project Fake Estates (1973-4). A meditation on property, ownership, landscape, and absence, Fake Estates was born when Matta-Clark discovered that the city periodically auctioned off “gutterspace” — absurdly small slivers of land carved from the urban grid by anomalies in surveying, zoning, and municipal construction. Matta-Clark purchased fifteen of these odd lots at auction. He then visited and photographed each one, and collected the related maps and deeds. None of his many plans for further use of the slivers was ever carried out before his death in 1978. Now, decades later, Odd Lots furthers his vision.
At the Queens Museum of Art, the origins of the project are presented through Matta-Clark's materials, Jaime Davidovich's film of Matta-Clark visiting the sites in 1975, and the Panorama of the City of New York, on which the 15 Matta-Clark sites are marked.
At White Columns, 19 artists investigate their own responses to Matta-Clark's precedent, and consider the ways in which Fake Estates might be used as a starting-point — literal or metaphorical — for new work.
Odd Lots was conceived and curated by Cabinet Magazine editors Jeffrey Kastner, Sina Najafi, and Frances Richard.
Participating Artists
Francis Alÿs, Jimbo Blachly, Isidro Blasco, Jaime Davidovich, Mark Dion, Maximilian Goldfarb, Valerie Hegarty, Julia Mandle, Helen Mirra, Matthew Northridge, Dennis Oppenheim, Sarah Oppenheimer, Dan Price, Lisa Sigal, Katrin Sigurdardottir, Jane South, Jude Tallichet, Mierle Laderman Ukeles, Clara Williams
More information about Odd Lots is available here.
This exhibition has been made possible by generous grants from the National Endowment for the Arts and Altria Group, Inc.
Photo: Video stills of Gordon Matta-Clark working on Fake Estates project - Jaime Davidovich, Queens Project, 1975. Courtesy of Mitchell Algus Gallery.
Down the Garden Path: The Artist's Garden After Modernism
Extended through November 6, 2005

The garden has always been considered a quiet sanctuary from the rigors of everyday life, but artists have also seen the garden as a vehicle for expressing ideas beyond the idyllic. Down the Garden Path: The Artist's Garden After Modernism presents a broad range of materials that refer to gardens as points of departure to understand history, politics, and our relationship to nature. From models by modernist masters and sketches by contemporary art mainstays, to living works by emerging artists and outdoor installations in Flushing Meadows Corona Park, the exhibition calls for a redefinition of the role of the garden.
Participating Artists
Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
Lonnie Graham, Franco Mondini-Ruiz, Ghada Amer, Brian Tolle and Diana Balmori, and Anissa Mack and Dave McKenzie have installed five new works in the open spaces adjacent to the museum in Flushing Meadows Corona Park and the nearby Queens Botanical Garden.
For more about Down the Garden Path: The Artist's Garden After Modernism click here.
Down the Garden Path: The Artist's Garden After Modernism is made possible by an Emily Hall Tremaine Exhibition Award. The Exhibition Award program was founded in 1998 to honor Emily Hall Tremaine. It rewards innovation and experimentation among curators by supporting thematic exhibitions that challenge audiences and expand the boundaries of contemporary art. The additional funding is provided by National Endowment for the Arts, New York Council on the Arts, Furthermore...A program of the J.M. Kaplan Fund, and The Florence Gould Foundation.
Photos: Acconci Studio, Personal Island, 1992. Courtesy of the artist.
UPCOMING: The Gift: Building a Collection for the Queens Museum of Art
Opening November 20
SPECIAL EVENTS
QMA Commemorates the 40th Anniversary of The Immigration and Naturalization Act of 1965 with World Premiere Screeningof On Calloway Street
Sunday, October 2, 2 - 4 pm
World Premiere Screening of the documentary video On Calloway Street by Ramon Rivera Moret on the 40th Anniversary of The Immigration and Naturalization Act of 1965

Queens has been lauded as the nation's most diverse county since the 2000 US Census revealed that there are more than 120 languages spoken throughout the borough. This was not always the case. The QMA celebrates the 40th Anniversary of The Immigration and Naturalization Act of 1965 (Hart-Cellar Act) and what this single piece of legislation meant to the ethnic makeup of this country, and specifically, Queens. With the world premiere screening of Ramon Rivera Moret's On Calloway Street, we discover perhaps the most diverse apartment building in the world. The multiplicity and richness of stories and characters in a single building on Corona's Calloway Street allowed the director to explore and weave together many disparate elements—events of daily life, brief stories, non-narrative situations and experiences, interviews, and oral histories. Preceding the film, Professor Tarry Hum of the Urban Studies Dept. at Queens College will provide viewers with information about the Act and how it drastically changed the face of contemporary Queens. A Q&A with the director and producer and light refreshments will follow the film.
Detrás de la máscara — Behind the mask
Saturday, October 8, 1 - 5 pm
Mexicanos Unidos de Queens & Mexican Solidarity Network present a cultural showcase and educational event about the Zapatista movement in Mexico. Featuring: Indigenous theater performance group from New York City — Coatlicue Theater Company; Zapatista resistance groups from Mexico and Italy; Indigenous dance groups from New York and Mexico.
Celebrate the 60th Anniversary of the United Nations
Monday, October 24, 7 - 9:30 pm
UN General Assembly meeting in NYC Building, 1949.
United Nations Association — Queens Chapter invites you to a talk, screening, and reception in honor the UN's 60th birthday at the Queens Museum of Art, the very building in which the UN General Assembly met for its first five years. Discover the history of the United Nations and its historic ties to Queens in the short film, The UN in Queens — A Global Celebration. All are invited to a light reception before the event and the renowned United Nations Singers will perform songs from around the world.
All Saint's Day Family Festival: El Dia de los Muertos meets Halloween
Sunday, October 30, 12 - 5 pm
Join us for a festive day of monster mask-making, music, spooky stories from around the world, music, and snacks as we conjure up the world of spirits and ghosts in a global celebration of All Saint's Day. Highlight includes making altars for the traditional Mexican celebration El Dia del los Muertos (The Day of the Dead).
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