- Manal Abu-Shaheen
- Vahap Avşar
- Jesus Benavente and Felipe Castelblanco
- Brian Caverly
- Kerry Downey
- Magali Duzant
- Golnaz Esmaili
- Mohammed Fayaz
- Kate Gilmore
- Jonah Groeneboer
- Bang Geul Han and Minna Pöllänen
- Dave Hardy
- Sylvia Hardy
- Shadi Harouni
- Janks Archive
- Robin Kang
- Kristin Lucas
- Carl Marin
- Eileen Maxson
- Melanie McLain
- Shane Mecklenburger
- Lawrence Mesich
- Freya Powell
- Xiaoshi Vivian Vivian Qin
- Alan Ruiz
- Samita Sinha and Brian Chase
- Barb Smith
- Monika Sziladi
- Alina Tenser
- Trans-Pecos with 8 Ball Community, E.S.P. TV, and Chillin Island
- Mark Tribe
- Sam Vernon
- Max Warsh
- Jennifer Williams
Robin Kang is inspired by the historical connections between the textile industry and technological development. She hand-weaves her tapestries using a computer-programmed Jacquard hand loom, a contemporary version of a machine that itself was a precursor to the computer. While researching early computer hardware, the artist learned that the earliest form of memory storage included both handwoven copper wires and hand-drawn solder lines. Kang’s work incorporates imagery sourced from indigenous histories of textiles and the patterning of computing hardware. The resulting works connect not only fiber arts and technology, but also more broadly textiles, symbols, memory, and language.
Robin Kang received an MFA from School of the Art Institute of Chicago (2012), a BFA from Texas Tech University, Lubbock (2004), and studied classical painting at 17th Street Atelier, New York (2006). She has had solo shows at First Things, New York (2013) and Gallery X, Chicago (2011) and been included in group shows at Storefront Ten Eyck, Brooklyn (2015), Parlour Bushwick, Brooklyn (2015), CP Project Space, New York (2015), Catinca Tabacaru Gallery, New York (2015, 2014), Regina Rex, New York (2015, 2014), Outlet, Brooklyn (2015, 2014, 2013), Essl Museum, Vienna, Austria (2012), among many others in Saudi Arabia, Spain, and the Netherlands. Kang has directed several artist-run project spaces including, the Carousel Space Project in Chicago and PENELOPE in Ridgewood, NY.
- An Itinerary with Notes
- Exhibition Views
- Hidden
- Watershed
- A Distant Memory Being Recalled (Queens Teens Respond)
- Overhead: A Response to Kerry Downey’s Fishing with Angela
- Sweat, Leaks, Holes: Crossing the Threshold
- PULSE: On Jonah Groeneboer’s The Potential in Waves Colliding
- Interview: Melanie McLain and Alina Tenser
- Personal Space
- Data, the Social Being, and the Social Network
- Responses from Mechanical Turk
- MAPS, DNA, AND SPAM
- Queens Internacional 2016
- Uneven Development: On Beirut and Plein Air
- A Crisis of Context
- Return to Sender
- Interview: Vahap Avşar and Shadi Harouni
- Mining Through History: The Contemporary Practices of Vahap Avşar and Shadi Harouni
- A Conversation with Shadi Harouni's The Lightest of Stones
- Directions to a Gravel Quarry
- Walk This Way
- Interview: Brian Caverly and Barb Smith
- "I drew the one that has the teeth marks..."
- BEAT IT! (Queens Teens respond)
- Moments
- Lawn Furniture
- In Between Difference, Repetition, and Original Use
- Interview: Dave Hardy and Max Warsh
- Again—and again: on the recent work of Alan Ruiz
- City of Tomorrow
- Noticing This Space
- NO PLACE FOR A MAP
- The History of the World Was with Me That Night
- What You Don't See (Queens Teens Respond)
- Interview: Allison Davis and Sam Vernon
- When You’re Smiling…The Many Faces Behind the Mask
- Interview: Jesus Benavente and Carl Marin
- The Eternal Insult
- Janking Off
- Queens Theatricality