Queens International 2016
Apr 10 2016
Jul 31 2016
A tradition since 2001, Queens International is the Museum’s biannual exhibition of artists living or working in Queens. While each iteration has its own curatorial team and vision, what remains constant is the central aim of highlighting and contextualizing the artistic vibrancy of the borough through contemporary cultural productions in all media.
Queens International 2016 characteristically looks to the idea of thresholds, and the way these spaces for transition, contact, and exchange become markers for the complexity of the forces that shape contemporary life. Many of the 34 participating artists, collectives, and partner organizations, use performance-based and site-specific approaches to activate the museum’s architectural and historical context. Ongoing projects in Queens International 2016 include experimental and often participatory events, genre-bending musical concerts, and international collaborations between Queens artists and their global counterparts. The politics of borders and border-crossing are expanded through the exhibition and complementary public programs to include not only the discourse of physical territory and migration, but also the act of transgressing between artistic disciplines, linguistic or ideological divides, digital and human interfaces, and prescriptive narratives of the past, present, and future.
References and source materials used by the artists zoom in and out of visibility from local to global, from micro to macro, and from private to public: the dominance of Western advertising in post-conflict Beirut; the international ubiquity of Mariachi bands; hyper-development in the New York City real estate market; the not-so-anonymous crowdsourced Internet marketplace; and the remixing of artistic identity with a Jazz legend. Queens International 2016 navigates these shifts between the assumed binaries and examines the ways in which these systems regulate our bodies and environments.
Multi-Outlet Publishing Platform:
Responding to the increasingly intertwined relationship of printed and digital media today, Queens International 2016 features a contemporary model of publishing and distribution that develops into its maturity through post-opening contributions by the participating artists’ interaction among themselves and with external responders. Conceived in collaboration with designer and creative director Ayham Ghraowi as an integral part of Queens International 2016, an evolving web platform will produce a print-on-demand publication that will incorporate content authored over the course of the exhibition. The website– serving as a living hub for documentation, artist interviews, short-form writing, and guerilla commentary from wide-ranging responders–will in turn comprise a publication that can either be printed on-site at the exhibition via a risograph printer, or accessed as a downloadable PDF. In line with the character of Queens International 2016, the risograph method allows the publication to sit somewhere between a handmade screenprint and Xerox copy, gives digitally formatted contents a uniquely physical property.
A looped screening in the Queens Museum Theater, A Frame Apart highlights recent short films made in or about Queens. At once intimately local and inexorably intertwined with the tumultuous forces of global capital, these films reveal Queens as both a muse and a battleground, simultaneously a node connecting world cities and a patchwork of insular neighborhoods.
Queens International 2016 is organized by guest curator Lindsey Berfond and Queens Museum Director of Exhibitions Hitomi Iwasaki.
Queens International 2016 Events
April 14, 2016 Poet Transmit with Ugly Duckling Presse presented by Trans-Pecos at the Knockdown Center in Maspeth
Televisual Poetry Readings by: Mike Taylor; Erica Baum with Sophia Le Fraga, Shiv Kotecha, and Lanny Jordan Jackson; Bela Shayevich and Ainsley Morse
April 22, 2016 Queens International at Trans-Pecos in Ridgewood: Becoming New Objects (ticketed concert event)
Performances by: Genesis Breyer P-Orridge and Edley O’Dowd; Victoria Keddie; Shadowbox; Sam Vernon with Abby Dobson When You’re Smiling…The Many Faces of the Mask
April 30, 2016 Janks Archive Collection Event: Corona Plaza
Janks Archive collects insult humor from Queens residents, look out for their sandwich boards in Corona Plaza!
May 8, 2016 Melanie McLain’s performance Self-Extension Roll and Xiaoshi Vivian Vivian Qin Debate Competition with Queens High School Debate Teams
Performances by: Despot; Spanish Broads; Chillin Island DJs; Know-Wave Radio Live Broadcast
May 22, 2016 Kerry Downey’s performance Fishing with Angela; Vocalist Abby Dobson interprets a selection of Louis Armstrong songs in response to Sam Vernon’s installation in When You’re Smiling…The Many Faces of the Mask; Xiaoshi Vivian Vivian Qin’s iHistory: Everyday Life and Culture in the Early 21st Century, a panel discussion occurring in the year 2065
Janks Archive Collection Event: Flushing Meadows Corona Park
Janks Archive collects insult humor from Queens residents, look out for their sandwich boards in front of the Museum!
Las Reinas Open Rehearsal by Jesus Benavente and Felipe Castelblanco
Open rehearsal – two mariachi bands, Mariachi Real de Mexico in Queens and one in Colombia to write a new song together on Skype. Presented with Espacio Odeón in Bogotá.
Trouble’s The Stood Maze, a pop-up labyrinth featuring musical performance by Patrick Higgins
Trans-Pecos at the Queens Museum: Becoming New Objects (ticketed concert event, $12)
Performances by: Logan Takahashi; Human Pitch Freeform Ensemble; Live Taping by E.S.P. TV
June 12, 2016 Alina Tenser’s performance Selections from Sports Closet and Freya Powell’s performance Reading Frequences: Omniscience
June 24, 2016 Queens International at Trans-Pecos in Ridgewood: Becoming New Objects (ticketed concert event)
Performances by: Chino Amobi; VHVL; Diamond Terrifier/M. Beharie/Miho Hatori/Don Devore Quartet; Las Reinas Performance by Jesus Benavente and Felipe Castelblanco
June 26, 2016 A site-specific vocal and percussion performance by Samita Sinha and Brian Chase
July 9, 2016 A site-specific vocal and percussion performance by Samita Sinha and Brian Chase
Las Reinas Performance by Jesus Benavente and Felipe Castelblanco
Two mariachi bands, Mariachi Real de Mexico in Queens and one in Colombia will collaborate collectively to write a new song with the artists via Skype. Presented with Espacio Odeón in Bogotá.
Vocalist Abby Dobson interprets a selection of Louis Armstrong songs in response to Sam Vernon’s installation in When You’re Smiling…The Many Faces of the Mask
Screening of A Frame Apart: Short Films Showcase followed by Q&A with filmmakers
Manal Abu-Shaheen, Vahap Avşar, Jesus Benavente and Felipe Castelblanco, Brian Caverly, Kerry Downey, Magali Duzant, Golnaz Esmaili, Mohammed Fayaz, Kate Gilmore, Jonah Groeneboer, Bang Geul Han and Minna Pöllänen, Dave Hardy, Sylvia Hardy, Shadi Harouni, Janks Archive, Robin Kang, Kristin Lucas, Carl Marin, Eileen Maxson, Melanie McLain, Shane Mecklenburger, Lawrence Mesich, Freya Powell, Xiaoshi Vivian Vivian Qin, Alan Ruiz, Samita Sinha and Brian Chase, Barb Smith, Monika Sziladi, Alina Tenser, Trans-Pecos (with 8 Ball Community, ESP TV, and Chillin Island), Mark Tribe, Sam Vernon, Max Warsh, and Jennifer Williams.
Queens International 2016 is generously supported by Mark & Katie Coleman, LaGuardia Corporate Center Associates, LLC, Blumenfeld Development Group, Leo & Patti Hindery, and Douglas and Sarah Luke. Special thanks to the Foundation for Contemporary Arts Emergency Grant and Espacio Odeón (Bogotá, Colombia) and Frame Visual Art Finland for their support of individual artists in the exhibition. Major programming support for 2016 has been provided in part by the New York City Department of Cultural Affairs and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.